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Posts Tagged ‘the jane and bertha in me’

Happy New Year!! I thought I would start off 2017 by celebrating the best of the books I read last year. Rather than do my usual Top 10 list, I thought I’d try something new this year and list my favorites in various categories, with links to (and quotes from) my reviews.

BEST HISTORICAL FICTION (WWII)

A Moment Forever by Cat Gardiner

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A Moment Forever is not a book you merely read; Gardiner ensures you actually live the story — from the overindulgence of Long Island’s Gold Coast to the wartime excitement in the Big Apple, from the airfields and USO dances and the fashions of the ’40s to the solemnity of Paris 50 years after the roundup of its Jewish residents for deportation. There are so many layers to this story, and I never wanted it to end.

BEST HISTORICAL FICTION (OTHER ERA)

Lost Among the Living by Simone St. James

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Simone St. James is a new-to-me writer, and as soon as I finished Lost Among the Living I determined that I must read her previous novels, which all seem to be equally suspenseful. I loved her writing here, particularly the passages that describe the intensity of Jo and Alex’s relationship, which enable readers to feel Jo’s grief and the frustration inherent in not knowing Alex’s fate. I also liked that while there was romance and passion, Lost Among the Living is at its core a ghost story, but it’s so much more than that. St. James shows the impact of the war on the returning soldiers and the women whose men never came home, as well as the blurring of the boundaries between social classes and how greed and selfishness can tear families apart.

BEST AUSTEN VARIATION (REGENCY)

Mr. Bennet’s Dutiful Daughter by Joana Starnes

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Mr. Bennet’s Dutiful Daughter is a beautifully written novel, with just the right amount of angst to move me to the brink of tears without making me put the book down in despair. Starnes has a knack for putting Elizabeth and Darcy in impossible situations, delving deep into their souls, and keeping readers on the edge of their seats as they wonder how a happily ever after will be achieved. I loved the pacing of the novel, and Starnes does a wonderful job evolving their relationship through many ups and downs as they navigate the challenges posed by their families and themselves.

BEST AUSTEN VARIATION (MODERN)

Without a Conscience by Cat Gardiner

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Like Denial of Conscience, Without a Conscience is sexy (definitely for mature audiences only) and exciting from the very first page. Gardiner is a fantastic storyteller who weaves clever plots and navigates Darcy and Liz through the twists and turns while further evolving their relationship. In the midst of the danger and excitement, Gardiner provides plenty of humor, and the obvious rivalry between Liz and Caroline had me laughing out loud several times. The novel is perfectly paced, and there’s just something about Gardiner’s writing style that has me hanging on every word.

BEST AUSTEN VARIATION (SECONDARY CHARACTERS)

The Trouble to Check Her by Maria Grace

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The Trouble to Check Her exemplifies why Grace is one of my favorite authors of Austen-inspired fiction. Her attention to detail in terms of character development and the history of the era is fantastic, and I hope there is another book in the series (mainly because I want to find out what happened to Jane Bingley after her falling out with Elizabeth Darcy).

BEST AUSTEN VARIATION (OTHER)

The Elizabeth Papers by Jenetta James

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I enjoyed reading both Elizabeth’s diary and about the rocky start to Charlie and Evie’s relationship and their determination to find Elizabeth’s papers. I especially loved how James showed that even Austen’s beloved couple likely didn’t have a perfect marriage, and by telling that story from the point of view of Elizabeth, readers are able to see her insecurities and her frustration while having little clue what Darcy is thinking or feeling, which creates just the right amount of tension. I also loved getting a glimpse of the Darcys and their family years into their marriage, so they are no longer bright-eyed newlyweds but older and wiser and settled into their life together. Charlie and Evie’s story was exciting and even had some similarities to Darcy and Elizabeth’s, and Charlie’s client, Cressida Carter, is very Caroline Bingley-esque. The dual narratives were seamlessly connected, and the shifts between the two were timed perfectly to ensure readers can’t put the book down.

MOST UNIQUE AUSTEN VARIATION

The Many Lives of Fitzwilliam Darcy by Beau North and Brooke West

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The Many Lives of Fitzwilliam Darcy is unique and exciting. It made me laugh, and it left me in tears, so much so that my husband kept asking if I was okay and I worried I would short out my Kindle! It’s been a while since I’ve been so emotionally affected by a Pride and Prejudice variation. It’s absolutely one of the best books I’ve read this year, possibly one of my all-time favorites, and definitely one I won’t forget!

BEST HOLIDAY NOVEL

Lucky 13  by Cat Gardiner

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Oh, how I loved this novel! Gardiner is a master at bringing Jane Austen’s characters into the present day and turning up the heat (and the laughs). From their heated arguments to their heated encounters at the jaw-dropping calendar audition and the chest-oiling photo shoot, I couldn’t get enough of this Lizzy and Darcy. The secondary characters are equally entertaining, from Jane, the supermodel with a secret, to Caroline, the matchmaking poochie mama, and especially Charlotte (aka “Punky) and Darcy’s cousin, Rick (aka “Preppy”), who are the most obnoxious of the numerous matchmakers.

BEST POETRY COLLECTION

The Jane and Bertha in Me by Rita Maria Martinez

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Martinez’s poems are full of vivid imagery (“The Bertha in me sleeps until three in the afternoon and sits on the back porch with a cup of Earl Grey that quells the desire to chop up her crotchety landlord,” from “The Jane and Bertha in Me”), sensual (“Charlotte’s manuscript sepulchered like an incorruptible saint, splayed on its back like a woman whose architecture I want to touch,” from “At the British Library”), insightful (“Pain caused by first love never truly subsides,” from “Jane’s Denial”), and even humorous (“She’ll be sorry for canoodling with the missionary, thinks Rochester, who’s exceeded his cursing quota and looks like Wolverine,” from “Jane Eyre: Classic Cover Girl”). Martinez even writes about Brontë herself, from her different personas to the migraines she suffered through in order to create her “pristine prose” (from “The Literature of Prescription”).

BEST SHORT STORY/COLLECTION

“Tea Time” by Tiffani Burnett-Velez

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I finished reading “Tea Time” in less than half an hour, and I was satisfied with the abrupt ending even though I wasn’t ready for the story to be over. The final few lines pack a punch and made it a story I won’t soon forget. I can’t wait to read more from Burnett-Velez.

FAVORITE COVER

Undercover by Cat Gardiner

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Gardiner is a fantastic storyteller who had me hooked from the very first page. The use of slang from the era, her vivid descriptions, the steamy scenes, and the murder mystery are handled so perfectly that I could picture the entire book in my head, as though I were actually watching a black-and-white hard-boiled crime drama on the screen. She moved Austen’s characters into 1952 New York City in a way that felt true to them. I loved that she gave Darcy a painful back story and that Elizabeth and Jane weren’t the best of friends. Gardiner’s portrayal of Georgiana as a modern and independent though innocent and sheltered young woman is handled beautifully, as is Lydia’s downfall at the hands of Slick Wick.

****

HONORABLE MENTIONS

Some of the more memorable 5-star books from 2016 (click the covers to read my reviews)

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Miss Darcy's Companion front cover_V4

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the forgotten room

What were your favorite books of 2016? I’d love to know!

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Source: Review copy from Poetic Book Tours
Rating: ★★★★★

Publisher’s summary: This spring marks the bicentennial of Charlotte Brontë’s birth. In her ambitious and timely debut, The Jane and Bertha in Me, Rita Maria Martinez celebrates Brontë’s classic novel Jane Eyre. Through wildly inventive, beautifully crafted persona poems, Martinez re-imagines Jane Eyre’s cast of characters in contemporary contexts, from Jane as an Avon saleslady to Bertha as a Stepford wife. These lively, fun, poignant poems prove that Jane Eyre’s fictional universe is just as relevant today as it was so many years ago. The Jane and Bertha in Me is a must-read for any lover of Brontë’s work.

My thoughts: The Jane and Bertha in Me is the best poetry collection I’ve read in a long time. Part of the reason I enjoyed it so much is that I loved Jane Eyre when I read it first in high school and then in college. But the main reason is that Martinez’s voice is fresh, unique, and exciting. She brings Jane Eyre and its characters into the present day and shows how classic novels remain relevant to readers hundreds of years later.

Martinez’s poems are full of vivid imagery (“The Bertha in me sleeps until three in the afternoon and sits on the back porch with a cup of Earl Grey that quells the desire to chop up her crotchety landlord,” from “The Jane and Bertha in Me”), sensual (“Charlotte’s manuscript sepulchered like an incorruptible saint, splayed on its back like a woman whose architecture I want to touch,” from “At the British Library”), insightful (“Pain caused by first love never truly subsides,” from “Jane’s Denial”), and even humorous (“She’ll be sorry for canoodling with the missionary, thinks Rochester, who’s exceeded his cursing quota and looks like Wolverine,” from “Jane Eyre: Classic Cover Girl”). Martinez even writes about Brontë herself, from her different personas to the migraines she suffered through in order to create her “pristine prose” (from “The Literature of Prescription”).

These poems make one consider the numerous personas inside each of us and how, in the hands of a skilled author, fictional characters are just as complex as real people. I appreciated the Notes section at the end of the book that explained Martinez’s inspiration for some of the poems. As in any poetry collection, there were poems I liked better than others, but I can definitely see myself revisiting The Jane and Bertha in Me in the future.

While it’s not necessary to have read Jane Eyre to enjoy The Jane and Bertha in Me, it certainly would help. Even if you’ve only seen one of the movie adaptations, that’s enough for you to know the main characters who appear in these poems.

What others are saying about The Jane and Bertha in Me:

The Jane and Bertha in Me is a Rubik’s Cube(TM) of Janes. Each poem is a smartly annotated, hauntingly revisionist homage to Jane Eyre. Martinez’s astounding poems are literary, conversational, personal, fun, as she confidently transports her Janes from the Moors to Macy’s, from Thornfield Hall to the world of tattoos. —Denise Duhamel, author of Blowout

Rita Maria Martinez’s The Jane and Bertha in Me gives an unusual twist to the well-known characters from Jane Eyre, envisioning Jane at the guidance counselor, Bertha getting a makeover. These persona poems give us greater insight into the minds of madwoman and governess alike and even minor characters like Blanche and Alice, with beautiful, lush language and empathetic vision. Even casual fans of Brontë’s great book will enjoy this lively re-imagining. —Jeannine Hall Gailey, author of The Robot Scientist’s Daughter

About the poet:

IMG_0377 - CopyRita Maria Martinez is a Cuban-American poet from Miami, Florida. Her writing has been published in journals including the Notre Dame Review, Ploughshares, MiPOesias, and 2River View. She authored the chapbook Jane-in-the-Box, published by March Street Press in 2008. Her poetry also appears in the textbook Three Genres: The Writing of Fiction/Literary Nonfiction, Poetry and Drama, published by Prentice Hall; and in the anthology Burnt Sugar, Caña Quemada: Contemporary Cuban Poetry in English and Spanish, published by Simon & Schuster. Martinez has been a featured author at the Miami Book Fair International; at the Society of the Four Arts in Palm Beach, Florida; and at the Palabra Pura reading series sponsored by the Guild Literary Complex in Chicago. She earned her Master of Fine Arts degree in Creative Writing from Florida International University.

To follow The Jane and Bertha in Me blog tour, visit Poetic Book Tours.

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Disclosure: I received The Jane and Bertha in Me from Poetic Book Tours for review.

© 2016 Anna Horner of Diary of an Eccentric. All Rights Reserved. Please do not reproduce or republish content without permission.

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