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I’m delighted to welcome Arisa White back to Diary of an Eccentric today to share a little about her upcoming release, Who’s Your Daddy, a poetic memoir due out in March 2021, and a video poetry reading. Please give her a warm welcome!

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Who’s Your Daddy started as a series of epistolary poems when my mother first asked me if I wanted to write my father in Guyana. He was deported back there for involvement in a criminal case. Because I did not know what I would say in the letter—in part because I didn’t know what my feelings were—I needed the space to reflect, feel, and prepare for language.

At its root, the work is personal, it requires a telling, and it’s seeking to know something and someone. I was wondering how the poem could hold this journey that would be expository, observational, interrogative, and self-reflective. I was pushing the poem to its extreme, asking it to come explore with me as I figured out my relationship with my father, his absence, and the woman I’ve become in this estranged dynamic.

I wrote the epistolary poems for nearly two years, all of which were addressed to Gerald, my father. Fortunately, I received a grant from the Center for Cultural Innovation, which allowed me to create a self-publication of the poems, host a series of letter writing workshops in the San Francisco Bay Area, and take a trip to Guyana where I met my father after 30-plus years of his absence from my life.

The self-publication is called Dear Gerald, and I gave out these chapbooks in exchange for letters addressed to absent, distant, dead fathers and patriarchal figures. This resulted in me collecting eighteen letters, one came as far as the Philippines and two from inmates sentenced to San Quentin. My mom even sent in a letter.

When I went to Guyana in 2015, I kept a journal and read the newspaper every day I was there, so when I returned back to the States, I now had notes and reflections from actually meeting Gerald, being in his home country, in the neighborhood in which he grew up. All these pieces felt necessary to the book.

The project was expanding and broadening. Throughout it all, I was reading articles on father absence, the historical role of the father, pieces on Black fatherhood and The New Jim Crow, books on endarkened feminisms, Afrofuturism, neoliberalism, Black death, as well as poetry collections that employed documentary poetics. Reading works like Zong!, Don’t Let Me Be Lonely, and You Da One, I was intrigued with how to include all the ways I was responding to (and how life around me was helping to answer) the questions of what do I feel when it comes to my father? Who am I as a result of his absence? What is love in abandonment? What role does disappearance serve in my intimate relations?

After the trip to Guyana, I felt physically done with the project. I was exhausted from it. And it wasn’t until 2017, when writing with my friend Emerson Whitney (who has an amazing lyrical memoir out called HEAVEN) that it started to make sense how I could integrate these different pieces together. Emerson’s style is wonderfully lyrical and fluid. He pulls in and weaves citations along with personal memories and his sentences have strong poetic sensibilities. What you get is an autotheory that feels more authentic to how a life lives, learns, senses, and makes meaning.

In the writing game of tag with Emerson, where I would send a prompt (photograph, quote, etc.) to him, and then he tagged me with a prompt, I started to push the length of the line and challenged the function of the sentence. I became less afraid of the sentence as a thing of prose writers, and started to feel it as a way to communicate with my father–off in another country, miles and miles away, with decades between us. The sentence was a way to connect, it was a conjunctive experience.

Who’s Your Daddy finally took a coherent shape while curating a reading series, and being in residence, at the Museum of the African Diaspora in San Francisco for eight weeks. I wrote a twelve-page piece that included citations from writers like Henry A. Giroux and Christina Sharpe, the artist Meleko Mokgosi, the letters received from folks, prose poems, all of which comprise the final section of the book. Writing that twelve-page piece taught me how to develop the rest of the collection, and with the help of my editor Kate Angus, I was able to recognize which narratives I needed to include from childhood and young adulthood. Now, as I look over the book, the opening sections of Who’s Your Daddy are more poetry, the shorter lines, and then as the collection progresses, the genres blend, the sentence takes over as I make my way to the father.

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About Who’s Your Daddy

A lyrical, genre-bending coming-of-age tale featuring a queer, Black, Guyanese American woman who, while seeking to define her own place in the world, negotiates an estranged relationship with her father.

Advance Praise:

“Arisa White channels the ear of Zora Neal Hurston, the tongue of Toni Cade Bambara, and the eye of Alice Walker in the wondrous Who’s Your Daddy. She channels Guyanese proverbs, Shango dreams, games of hide and seek, and memories of an absentee father to shape the spiritual condition. What she makes is “a maze that bobs and weaves a new style whenever there’s a demand to love.” What she gives us are archives, allegories, and wholly new songs.” —Terrance Hayes

“In these crisply narrative poems, which unreel like heart-wrenching
fragments of film, Arisa White not only names that gaping chasm between
father and daughter, but graces it with its true and terrible face. Every
little colored girl who has craved the constant of her father’s gaze will
recognize this quest, which the poet undertakes with lyric that is tender
and unerring.” —Patricia Smith

“Somewhere nearing its end, Arisa White says of Who’s Your Daddy, it’s
“a portrait of absence and presence, a story, a tale, told in patchwork
fashion . . .” This exactly says what Who’s Your Daddy is, though it
doesn’t say all it takes to do justice to the mythic paradox an absent
parent guarantees a child, young or grown, or what it takes to live with
and undergo such birthright. There’s not only a father’s absence and
presence, there’s a mother who says “you raise your daughters, and love
your sons,” there are stepfathers, uncles, aunts, cousins, a grandmother,
brothers, lovers, all of whom leave their marks and give and take love.
Surrounding the whole book hovers the questions do I forgive him, and is
forgiveness possible? This beautifully, honestly conceived genius of a book
shook me to the core.” —Dara Wier

Goodreads | Pre-order

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About the Author

Arisa White
Photo credit: Nye’ Lyn Tho

Arisa White is a Cave Canem fellow and an assistant professor of creative writing at Colby College. She is the author of four books, including the poetry collection You’re the Most Beautiful Thing That Happened, and coauthor of Biddy Mason Speaks Up, winner of the Maine Literary Book Award for Young People’s Literature and the Nautilus Book Award Gold Medal for Middle-Grade Nonfiction. She serves on the board of directors for Foglifter and Nomadic Press. Find her at arisawhite.com.

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For more about the book, and to follow the blog tour, click the button above.

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I’m delighted to welcome Rojé Augustin to Diary of an Eccentric today as part of the blog tour for her poetry collection Out of No Way, which has received rave reviews. She is here to share a guest post, but before I have Rojé take over, here’s a little about the book:

Author, producer and emerging poet Rojé Augustin has written a groundbreaking debut collection of dramatic poems about hair care entrepreneur Madam C.J. Walker and her daughter A’Lelia Walker. Out of No Way: Madam C.J. Walker & A’Lelia Walker, A Poetic Dramatracks Walker’s phenomenal rise from penniless orphan to America’s first self-made female millionaire in dramatic verse.

Born Sarah Breedlove to former Louisiana slaves in 1867, Madam C.J. Walker was orphaned at seven, married at 14, became a mother at 17, and was widowed at 20. After the death of her first husband, Sarah moved to St. Louis with her daughter where she earned $1.50 a day as a washerwoman. When her hair starting falling out she developed a remedy and sold her formula across the country. In the process she became the wealthiest Negro woman in America. Rojé’s highly original and accomplished poetry is written through the lens of the mother/daughter relationship via different poetic forms — from lyric poems to haikus, blackout poetry to narrative (one poem takes its inspiration from Edgar Allan Poe’s ‘The Raven’) — with each chapter addressing issues relevant to their lives at the time.

Written against the backdrop of the Jim Crow era, Out of No Way is ultimately an examination of what W.E.B Du Bois called “conflicting identities.” Sarah was a proud African American on the one hand and a woman seeking America’s acceptance on the other. She was a pauper who achieved the American Dream while denied the rights and protections of the American Constitution. She was a wife, mother, and businesswoman who juggled the demands of family with the demands of career. And she was an orphan who had to transcend a brutal childhood in order to be a loving mother to her child. As Du Bois stated at the time, “One ever feels a two-ness. An American, A Negro…Two warring ideals in one dark body.” Indeed Madam C.J. Walker/Sarah Breedlove was an American and a Negro, as was her daughter, A’Lelia Walker, both of whom likely viewed herself through their own conflicting identities. What did they see?

Out of No Way tells Walker’s remarkable rags-to-riches story by exploring thoughtful questions — What impact did Sarah’s busy work life have on A’Lelia? What was the bond between a mother orphaned so young and the daughter who might wait days or weeks for her return? Could the death of her parents when she was a child have compromised Sarah’s nurturing instincts? How did A’Lelia feel about their newfound wealth? What, if any, were the drawbacks of that wealth?

Amazon | Goodreads

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I’ve asked Rojé to address the following: Explore how your research into the mother-daughter relationship informed your poetic work, and has it given you greater insights into how you, as a working mother, tackle your responsibilities? Please give her a warm welcome!

As a working mom, you often feel torn between giving your all at work and giving your all at home, particularly where your children are concerned.  You feel torn because you quickly realize that being a great mom and being a great (insert profession here) cannot happen simultaneously, the two goals are mutually exclusive.  In other words, you can’t give your all at work, while also giving your all at home because doing so only supplies divided attention, which causes both work and home to ultimately collapse, not to mention you.  At some point, you start to feel you have to make a choice or else risk losing it all — work, family, sanity.  But even when you do choose one, assuming you have a choice, there is always a sacrifice.  Always.  I think this is true for most working parents.

Having experienced this conundrum myself, I wondered quite a lot about Madam C.J. Walker.  Here was a woman who, like the vast majority of her peers, actually had no choice.  She had to work and she had to raise her child.  What then were her particular sacrifices?  What were her sufferings as a result?  It occurred to me that family is often the first sacrificial lamb for any parent who has no choice but to work fifty, sixty, or seventy hour work weeks, as Madam C.J. Walker had when she was Sarah Breedlove, washerwoman & cook.  And children especially are the frontline.  The first to feel the gaping hole left by a parent’s absence.  A’Lelia must have felt this, too.  What did that look like?

Filtering my research through this line of inquiry informed my work tremendously because it offered emotionally rich possibilities with which to write the poems.  The mother-daughter relationship is an inherently complex and poignant affair often explored in the novels of black authors — take the works of Jamaica Kincaid for example — but less so in poetry.  I wanted to convey a sense of what their dynamic might have been given their unique set of circumstances.  Madam Walker was orphaned at age seven, a mother at seventeen, a widow by twenty.  She was only one generation removed from slavery, she had to navigate life through the whip of Jim Crow, and the lynching of black people carried out with impunity.  And yet she had the awesome resilience to raise herself and her child out of poverty and into prosperity in less than ten years, by working really hard and working all the time.  One goal was very clearly achieved.  What of the other?

As for myself, I discovered through this creative exercise that I am guilty of tackling my working-mom responsibilities with the pressure of perfection weighing heavily on my psyche.  But it never works.  I inevitably spin myself into exhaustion.  Best to just strive for balance and hope for the best.  Which, I guess, for me is perfection.

Thank you for sharing your story and Madam Walker’s with us, and thank you for my guest today!

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About the Author 

Rojé Augustin

Rojé Augustin is a native New Yorker who grew up on the Upper West Side of Manhattan. Her first novel, The Unraveling of Bebe Jones, won the 2013 National Indie Excellence Award in African American fiction. She wrote the novel while living in London and Sydney as a stay-at-home-mom. She established Breaknight Films shortly after her move to Sydney in 2009 to develop and produce television projects across a range of formats, including television, web, and audio. Her first Sydney based project was a podcast and visual web series called The Right Space, which explores the relationship between creatives and their workspace. Rojé continues to work as a television producer while also writing in her spare time. She is an Australian citizen who currently lives in Sydney with her Aussie husband and two daughters.

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Giveaway

As part of the blog tour, there are two copies of Out of No Way up for grabs (digital for international entrants; print for U.S./Canadian entrants). This giveaway ends Oct. 31, 2020, and you must enter through Rafflecopter. Good luck!

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Click the button for more about Out of No Way and Rojé Augustin, including video readings of her work, and to follow the blog tour.

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Source: Review copy from publisher

Elizabeth Hazen’s Girls Like Us is a collection of poems that packs a punch from the start. (You can read the collection’s opening poem, “Devices,” and Hazen’s inspiration in last week’s guest post.)

Hazen writes about the power of language, and that power radiates through every poem in the collection. These poems are honest and brave, shocking and edgy without feeling forced. There’s a heaviness to these poems, but moments of empowerment as well.

As a woman, it was hard not to feel like the narrator was telling my story.

What simplicity
to be as silence or as air — there yet

not there. But it takes such work to disappear,
and secrets threaten to spill from you like liquor
you can’t hold. You tell yourself you’re someone else.

(from “Against Resignation”)

 

How do words —
lacking form beyond the curve of font, the flick

of tongue, the measure of my breathing — break,
so easily, a bond?

(from “Diamond”)

There were many poems like these, where a line would just hit me in the gut and I recognized myself on the page. The narrator’s experience is not exactly my own, yet I understand, have felt that precise feeling.

Know that your body may be numb awhile,

and when you see yourself revealed in paint,
note the proportions, but ignore the faint

glimmer he put in your eye that isn’t you.

(from “Times from a Nude Model”)

Hazen’s poems are personal yet universal, strong yet vulnerable, and she deftly packs so much emotion and meaning into a few words.

and though she scrapes away the corrosion, a new battery is not
enough, and the hours pass, though not exactly as before.

(from “The Clock”)

Girls Like Us is a collection of poems that begs to be read multiple times. I spent a few hours with these poems and took away so much, yet I feel I only scratched the surface. Hazen’s unflinching take on the female experience is one that I won’t soon forget.

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Giveaway

Two copies of Girls Like Us are up for grabs as part of the blog tour. To enter, you must use this Rafflecopter link. The giveaway runs July 24, 2020. You must be 18 or older and have a U.S. mailing address to qualify.

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Click the button below for more information about the book and the author, and to follow the blog tour.

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To my readers who reside in Maryland, Virginia, and the District of Columbia and are high school students or the parents of one (or who know someone in these locations with a high schooler), please check out the below press release regarding the Gaithersburg Book Festival’s Annual High School Poetry Contest! The contest is being coordinated by Serena from Savvy Verse & Wit, and if you have any questions, please leave them in the comments, and she will respond. Thanks!

Open Theme for the Gaithersburg Book Festival’s Annual High School Poetry Contest 

Winning poet to be awarded $250 prize at 2020 Festival on May 16 

Gaithersburg, Md. – October 10, 2019 – The Gaithersburg Book Festival is proud to announce its annual high school poetry contest is now open for submissions. First and second place winners will receive $250 and $100, respectively. Third place and fan favorite winners will receive $50 and $25, respectively.

Winners will be unveiled at the Gaithersburg Book Festival on May 16, 2020, at its new, temporary location – Bohrer Park at Summit Hall Farm (506 S. Frederick Ave., Gaithersburg, MD 20877).

“We’re so excited to again feature a High School Poetry Contest as part of the 2020 Gaithersburg Book Festival,” said Jud Ashman, Festival chair and Mayor of the City of Gaithersburg. “Student submissions last year were outstanding and the finalists got to meet some incredible poets and authors.”

To participate, students must be enrolled in grades 9-12 at a public or private school, or be in a homeschool program, for the 2019-2020 school year. Additionally, entrants must reside in Maryland, Virginia or the District of Columbia.

There is no restriction on form or topic. Poems should be typed in 12 pt. Times New Roman and not exceed one page in length. Each student can submit one poem as a Word document (.doc or .docx). File names must only contain the title of the poem (e.g., The_Red_Fern.doc); they should not include the name of the student or school.

Poems must be the original work of the student and must not have been previously published online or in print. By submitting work to the contest, students grant the Gaithersburg Book Festival a non-exclusive license to publish, distribute, transmit and exhibit the poem, and any portions thereof, via any medium without financial compensation.

Poems must be submitted electronically via web at https://tinyurl.com/yyvgqdpl by midnight ET on Thursday, February 20, 2020.

Up to 12 poems will be selected as finalists and posted on the Gaithersburg Book Festival website prior to the Festival. For the first time, finalists will also be asked to record a video of themselves reading their poems, which will be posted on Gaithersburg Book Festival website. A release will be required.

Prizes will be provided courtesy of Johns Hopkins University Montgomery County Campus.

Complete rules and regulations can be found online at https://www.gaithersburgbookfestival.org/gbf-programs/poetry-contest/. Questions can be emailed to writingcontest@gaithersburgbookfestival.org.

About the Gaithersburg Book Festival

The Gaithersburg Book Festival is an annual all-day celebration of books, writers and literary excellence. One of the premier literary events in the Washington, D.C. metropolitan area, the 2020 Festival is scheduled for Saturday, May 16, at Bohrer Park at Summit Hall Farm (506 S. Frederick Ave.) in Gaithersburg, Md. Activities will include author appearances, discussions and book signings; writing workshops; a Children’s Village; onsite sales of new and used books; literary exhibitors and food, drink, ice cream and more. FREE admission and accessible shuttle will be available from Shady Grove Metro and Lakeforest Mall. The Gaithersburg Book Festival also hosts author events in Montgomery County throughout the year as a way to encourage continued appreciation for all things literary. For more information please visit www.gaithersburgbookfestival.org, follow us on Twitter @GburgBookFest or like us on Facebook.

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My guest today is poet Jessica Goody, whose latest collection is Phoenix: Transformation Poems. Jessica is kindly sharing a poem from the collection: “Jazz.” Please give her a warm welcome!

Transforming Pain into Poetry

Because I tend to think in images, a lot of my poetry is ekphrastic–inspired by artwork.

I am endlessly inspired by the lives and exploits of artists, like the Beats, the Harlem Renaissance, and the Bloomsbury Group. My poetry collection Phoenix: Transformation Poems features numerous odes to artists of every stripe–writers, actors, painters and musicians.

The opening poem, “Jazz,” is about Henri Matisse. Confined to a wheelchair following major surgery, he could no longer climb ladders to paint murals, so he covered the walls of his studio with butcher paper and drew with extra-long pencils. When arthritis left him unable to continue sculpting, he switched to collage, cutting shapes out of colored paper and arranging them in patterns to create Jazz, a book of decoupage art.

I believe that well-chosen words are the greatest agents of change; they provide hope to the suffering and clarity to the misguided. Phoenix offers glimpses of meaningful lives and explores what it means to be fully human. These poems cover a wide variety of subject matter, including beauty, creativity, and courage, but the main theme is transformation–the triumph over pain and trauma and the resilience of the human spirit.

Jazz

Patterns catch the eye, crawling along wallpaper

and upholstery in a melange of colors and textures,

rendering the room as exotic as a harem, draped with

vivid slipcovers of Moroccan arabesques and damasks.

 

The wallpaper blooms humid tropical foliage,

blood-red blossoms unfurling behind the heads

of odalisques reclining on striped pillows, the divan

curving beneath them like the body of a lover.

 

A backdrop of vibrant fabrics curtain the room like a seraglio.

Oushaks and kilims burn underfoot as the light shines

through the lacework windows and shuttered doors,

where beaded lamps drip crystals atop runner-draped tables.

 

Orchids and potted plants crowd every surface, swarming

the carved mantel and bowlegged iron tables. Lovingly arranged

into precisely disheveled still-lifes, the palm fronds spread their graceful

green arms to the sun, tendrils inching upward like ivy.

 

Joyful nudes dance along the walls. Cobalt blue outlines

like police silhouettes stretch and tumble, leap and caper.

Tinted ultramarine, the color of distant horizons,

they resemble woad-stained Celts, rangy of limb and sinew.

 

Matisse lies abed in his atelier, industrious as Proust,

surrounded by a sea of colored paper, scattered leaves

and whimsical shapes that might be flowers or flames,

strewn petals drifting to the floor like shards of glass.

 

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Jessica Goody

Jessica Goody is the award-winning author of Defense Mechanisms: Poems on Life, Love, and Loss (Phosphene Publishing, 2016) and Phoenix: Transformation Poems (CW Books, 2019). Goody’s writing has appeared in over three dozen publications, including The Wallace Stevens Journal, Reader’s Digest, Event Horizon, The Seventh Wave, Third Wednesday, The MacGuffin, Harbinger Asylum and The Maine Review. Jessica is a columnist for SunSations Magazine and the winner of the 2016 Magnets and Ladders Poetry Prize. Follow her on Facebook, Twitter, and Pinterest.

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To follow the blog tour for Phoenix: Transformation Poems and for more about the collection, click the button below

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Source: Review copy from author

Kin Types is the newest poetry collection by Luanne Castle in which she recreates the stories of her ancestors. (Read the collection’s opening poem, “Advice from My Forebears” and the inspiration for it here.) She draws you in right away with lines similar to what many of us have heard from our elders, like “Quit scowling or your face will freeze that way” (“Advice from My Forebears,” page 2). I soon found myself immersed in the poems about Dutch immigrants who made their way to Michigan and forged a life, often difficult, judging from many of the poems, but hopeful as well in that these lines are written by their descendant.

From a mother who rushes into a house fire (“An Account of a Poor Oil Stove Bought off Dutch Pete”) to the fast-forwarding and rewinding that recounts the ups and downs of a marriage (“And So It Goes”), from the tale of a family who loses everything (“The Weight of Smoke”) to the names and connections that are uncovered when digging into a family’s history (“Genealogy”), Kin Types is about raising and confronting the ghosts of the past, making sense of the lives that came before us, and honoring the struggles and the sheer grit and determination that keeps the family tree growing over the generations.

Castle’s poems are narrative in style and haunting in that they portray some of the darkest moments in a family’s history, but they give us a glimpse of happiness and hope as well. The quote that opens the collection says it perfectly:

“We’re all ghosts. We all carry, inside us, people who came before us.”

-Liam Callanan

It is easy to see how different today is from the era of the woman portrayed in these poems, but Castle does a brilliant job enabling readers to put ourselves in their shoes, at least for a handful of lines. It is virtually impossible to read Kin Types and not imagine the stories of your ancestors, especially those who you’ve heard about but who lived too long ago for you to have met. This collection is powerful in that, just as in the closing poem, “When Your Grandfather Shows You Photographs of His Mother,” it makes you consider how these long-dead people are reflected in who you are today. Kin Types is the best poetry collection I’ve read in a while, and one I won’t soon forget.

For more about Kin Types and to follow the blog tour, click on the button below:

Disclosure: I received Kin Types from the author for review.

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Luanne Castle is my guest today to celebrate the release of her latest poetry collection, Kin Types. She’s here to share a poem from the book and its inspiration. Please give her a warm welcome!

Advice from My Forebears

Always use hot pack canning for your green beans
and test your seals at the end.

Don’t grab a burning oil stove without considering
the consequences.

Don’t get in debt. If you don’t got it, don’t get it.

Make up your mind what church you’ll attend
and go there as often as you can stand.

Be Dutch or you ain’t much.

Get the log out of your own eye so you can get
the speck out of the other’s eye.

We can’t talk about it, but here’s your great-grandma’s
Eastern Star ring so you will have a signal.

Never pick a fight but if someone hits you,
hit them back.

Always plant marigolds in your vegetable garden
and keep a compost pile out beyond the shed.

If they come to your door, feed them. Then send
them on their way.

Just let be.

Be careful with a needle; that’s how your Grandpa
got blinded, coming around his ma’s knee.

Sit on my finger, nobody ever fell off.

Watch your step on deck so you don’t fall off the boat
and get skewered by the anchor like your Uncle Lucas.

Don’t quit writing like I did. Make me a promise.

Quit scowling or your face will freeze that way.

If you see somebody’s thumb stuck in the dyke,
don’t pull it out.

“Advice from My Forebears” was first published in the museum of Americana (Fall 2015) and then in Kin Types.

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The origins of my desire to recreate family stories lies with my grandfather—and with his storytelling and advice. He was the one who told me how his Uncle Lucas was killed by falling on an anchor as a young man in Goes, Netherlands. Also, he described running into his mother’s sewing needle and being taken to the University of Michigan in Ann Arbor for treatments in 1910. That’s how I learned that danger lurked even in the household.

When I began this poem, I had my grandfather in mind, but I was also thinking of a list a newfound relative gave me. I had met him through my family history blog, The Family Kalamazoo. His mother was Grandpa’s mother’s first cousin. He had compiled the list of advice his mother had given him in the 1930s. The list sounded familiar to me as it contained the phrasing and sentiments I learned from Grandpa. This one, for example: “If they come to your door, feed them. Then send / them on their way.”

The poem became a list much like the list given to me, but with advice passed on over several generations, as well as advice added on with new events. Grandpa was no doubt warned about his uncle’s death by his own parents and grandparents, as his uncle had died fourteen years before he was born, but his own accident with the sewing needle was a newer addition to the family lore. In the most recent event, my grandmother who had wanted to be a writer made me promise not to give up writing.

Family history is a compilation of layered stories, added to by each generation. Much is lost as well, but by repeating what is worth passing on we learn by hearing both the inspirational and the cautionary tales.

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About Kin Types

Kin Types is based largely upon genealogy and a fascination with what comes to all of us from the past. A mix of poetry in the traditional sense and highly poetic prose pieces, the collection takes the reader on a journey into the lives of women and somewhat into the lives of men who must carry on alone once the women are gone. The journey of this collection is not a ramble into the past, but a slingshot into the here and now by way of these portrait tales.

Check out Kin Types on Goodreads | Amazon

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About the Author

Luanne Castle

Winner of the 2015 New Mexico-Arizona Book Award, Doll God, Luanne Castle‘s first collection of poetry, was published by Aldrich Press. Luanne’s poetry and prose have appeared in Grist, Copper Nickel, River Teeth, Glass Poetry Press, Barnstorm Journal, Six Hens, Lunch Ticket, The Review Review, and many other journals. Published by Finishing Line Press, Kin Types was a semi-finalist in the Concrete Wolf chapbook contest.

Luanne has been a Fellow at the Center for Ideas and Society at the University of California, Riverside. She studied English and creative writing at the University of California, Riverside (Ph.D.); Western Michigan University (MFA); and the Stanford University writing certificate program. Her scholarly work has been published in academic journals, and she contributed to Twice-Told Children’s Tales: The Influence of Childhood Reading on Writers for Adults, edited by Betty Greenway. For fifteen years, she taught college English. She divides her time between California and Arizona, where she shares land with a herd of javelina. Visit her website.

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Click the button below to follow the Kin Types blog tour

 

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To celebrate the release of the latest poetry collection from Erica Goss, I have a video reading of the poem “Night Court,” from the collection of the same name. But first, a little about the book:

Night Court leaves us hungry for more of the poet’s open, probing, leaping intelligence, her ‘wild associations’ and surprises in the unexpected ‘shivering’ sweetness of a love story where ‘joy scrambles sadness.’ We hear ‘the clatter of souls entering bodies’ and experience ‘spring’s lizard stealth’ as sadness, longing and reluctance are transformed by breath-stopping beauty. Like a creature in the forest, the poet will ‘rub my cheek against the night.’ And she reminds us a prince waits, perhaps for centuries, until we wake.”
—Susan G. Wooldridge, author of poemcrazy: freeing your life with words

“’No more / mindless syrup blunting / raw edges, // no more disguising things / with bland counterparts.’ The poems in Night Court are often starkly rendered, tough yet sensitive. Deeply imaginative, the poems describe a feral world also experienced by children, a world of hungry ghosts, magic, beasts and violence. ‘There’s a crack at the edge / of the world where the dark // and comic leak through’ Goss takes us to this illuminating place.”
— Robert S. Pesich, President, Poetry Center San Jose

Check out Night Court on Amazon

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Please give a warm welcome to Erica Goss:

“Night Court” is the first video from my poetry collection of the same name, which has just been published by Glass Lyre Press. I used new footage as well as some older video I’d shot while on vacation at the beach in Santa Cruz. I like the jerky, unpolished look of the older video, and I think it’s interesting when juxtaposed against the new, smoother video. For video editing, I used Adobe Premier Pro.

I animated the title using newspaper cut-outs, which I distorted with video effects in Premiere Pro. For music, I used royalty-free sound effects (the whispering you hear at the beginning and end) and music by Podington Bear, with permission.

“Night Court” is my nickname for insomnia, a condition I have endured all my life. The poem represents the many nights I’ve lain in my bed, wondering why I was awake when the rest of the world slept. One night the idea came to me that I was being tried in a court of law. Bored, awake, and lonely, I imagined having to testify about my “tragedies” – i.e., the fact that I can’t sleep like normal people – in front of a judge and jury at a real night court, a criminal court that holds sessions at night.

I recently learned that New York City’s night court is a popular tourist attraction, and that until a few years ago, the court was open until 1:00 a.m. I’m often awake at 1:00 a.m. Coincidence?

A weird kind of honesty pervades the sleepless brain. In the poem, I write that “(my tragedies) have sworn to tell the truth / and nothing else” and that after midnight, “I am never more awake.” Perhaps there is some wisdom in holding court at 1:00 a.m.

I was a fan of the TV show Night Court, starring Harry Anderson and John Larroquette, which ran on NBC from 1984-1992. Memories of the show influenced the poem, especially the random, sometimes funny, sometimes dangerous nature of things that happen late at night.

To view my videos, please visit my Vimeo channel: https://vimeo.com/ericagoss I will be adding more videos based on poems from the book soon.

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About the Poet

Erica Goss

Erica Goss is a poet and freelance writer. She served as Poet Laureate of Los Gatos, CA from 2013-2016. She is the author of Night Court, winner of the 2016 Lyrebird Award, Wild Place and Vibrant Words: Ideas and Inspirations for Poets. Recent work appears in Lake Effect, Atticus Review, Contrary, Eclectica, The Red Wheelbarrow, Main Street Rag, Pearl, Rattle, Wild Violet, and Comstock Review, among others. She is co-founder of Media Poetry Studio, a poetry-and-film camp for teen girls: . Please visit her website, Facebook page, LinkedIn, and Vimeo.

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One year ago, Sweta Srivastava Vikram’s most emotional poetry collection Saris and a Single Malt was on tour with Poetic Book Tours.

Chick with Books said of the collection, “Heartfelt, raw, honest and thought-provoking.”

Jorie Loves A Story said, “Vikram bleeds her emotions through words.”

Diary of an Eccentric said, “Saris and a Single Malt is a touching tribute to Vikram’s mother, a love song from a grieving daughter.”

This is a poetry collection that is raw and beautiful. And as part of the celebration, Vikram is offering 4 copies of the book to some lucky U.S. residents.

SARIS AND A SINGLE MALTAbout the book:

Saris and a Single Malt is a moving collection of poems written by a daughter for and about her mother. The book spans the time from when the poet receives a phone call in New York City that her mother is in a hospital in New Delhi, to the time she carries out her mother’s last rites. The poems chronicle the author’s physical and emotional journey as she flies to India, tries to fight the inevitable, and succumbs to the grief of living in a motherless world. Divided into three sections, (Flight, Fire, and Grief), this collection will move you, astound you, and make you hug your loved ones.

IMG_2240About the Poet:

Sweta Srivastava Vikram, featured by Asian Fusion as “one of the most influential Asians of our time,” is an award-winning author of 11 books, five-time Pushcart Prize nominee, mindfulness writing coach, and wellness columnist. Sweta’s work has appeared in The New York Times and other publications across nine countries on three continents. Louisiana Catch (Modern History Press, 2018) is her debut U.S. novel.

Born in India, Sweta spent her formative years between the Indian Himalayas, North Africa, and the United States collecting and sharing stories. A graduate of Columbia University, she also teaches the power of yoga, Ayurveda, and mindful living to female trauma survivors, writers and artists, creative types, busy women, entrepreneurs, and business professionals in her avatar as the CEO-Founder of NimmiLife. You can find her on: Twitter (@swetavikram), Instagram (@SwetaVikram), and Facebook.

Enter to win 1 signed copy and a $15 Amazon gift card or 1 of 3 other signed copies of Saris and a Single Malt.

Entrants must be U.S. residents.  Giveaway ends on Aug. 28, 2017, at 5 p.m. EST

Click to enter the Rafflecopter giveaway.

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Sweta Vikram and her father

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I am pleased to welcome poet Diamante Lavendar to Diary of an Eccentric today to share a poem from her latest collection, Poetry and Ponderings, and her inspiration for writing it. Please give her a warm welcome:

Please Do Not Weep

Do not fret
For your grievous loss;
Do not feel
Like a wave that is tossed;
Do not weep
By yourself, so alone;
For I am with you,
Soon you will be home.
The things of this world
Are transient and brief;
I will be your comfort,
Your ease and your peace;
Notice the good
And perceive not the bad;
Observe what you’ve learned,
The lessons you’ve had;
For everything you’ve been through
Has come at a cost;
There is good in the bad,
You have won and not lost.
I have set you here, love,
And you shall I keep;
Do not lose hope,
And please do not weep.

-Diamante Lavendar

What prompted me to write this poem?  My past and all the cumulative experiences I’ve had in life.  I’ve been hurt so many times that it became something I expected.  The people I was supposed to be able to trust the most were some of the most UNtrustworthy people I’ve known.  It has taken me a very long time to come to the point of making peace with my past.

After I wrote Breaking The Silence, the book about my life (which won 5 awards for Inspirational Fiction), I put together Poetry and Ponderings.  I was still working through some of the issues I had been plagued with during my lifetime.  Right before Poetry and Ponderings was published, my eighteen-year-old daughter died.  She was my hope and inspiration in life.  Now I find myself revisiting the agony of losing a child since it has happened to me three times.  Although my experiences have been stark and devastating, my writing is sparked with hope and love.  Because I have come to know that the spirit realm is alive and well, I believe I will be reunited with my children again and I look at God as the father I’ve always wanted.  It’s been rough, that’s no lie, but I believe I came here for some spiritual graduate work….and I got it.  It is my wish that I pass all the tests and graduate well.  It is also my wish that the books I write help others to learn and grow and spark a relationship with spirit.

Thank you, Diamante, for sharing your poetry and your story with me and my readers. Congratulations on the publication of your book!

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About Poetry and Ponderings

In this rare collection of nonfiction Christian poetry and prose based on real life experiences, Diamante Lavendar, a victim of abuse, shows the reader the raw emotions of pain, hate, and denial that occur before a victim of abuse can find a way to heal from the pains of assault. Knowing herself the very difficult journey of being a victim, Diamante was abused as a child, and turned to alcohol and drugs to numb the pain. Many years later, she started to heal under God’s watchful eyes and was able to find love in her life again. She shares these truly inspiring, religious poems in the hopes that it may help other victims heal their hurts, as she did while writing the poetry collection.

Check out Poetry and Ponderings on Goodreads | Amazon

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About the Author

Diamante Lavendar has been in love with reading since she was a child. Diamante believes that everyone should try to leave their own positive mark on the world, and to make it a better place for all. Writing is her way of leaving her mark—one story at a time. She began writing in college and has published poetry in anthologies over the years. Most of her writing is very personal and stems from her own experiences, and those of her family and friends. She writes to encourage hope and possibility to those who read her stories. To learn more about Diamante Lavendar and her books, please visit her website.

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